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| Features
18 Remembering Wynn Bullock Karen Sinsheimer 26 Jeff Dunas 34 Nancy Cain 40 Curtis Salonick 46 A Case for Sensitometry Part 2 50 Heiland Splitgrade |
 PHOTOVISION A R T & T E C H N I Q U E VOL. 2, NO.5 • MAY/JUNE 2002 |
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| Columns
8 Book Reviews Steve Anchell, Gregory W. Blank, Bruno Chalifour, W. Joe Head, Robert Hirsch, Stephen C. Peterson 11 In Our Opinion 13 The Reluctant Critic 52 Tools & Techniques 57 Lamb’s Quarters 58 From the Gallery |
Departments
From the Editor Reader's Forum Snapshots Index to Advertisers Exhibits, Events, & Workshops |
Cover:
Many who see Wynn Bullock’s Sea Palms, 1968 for the first time believe it is a photograph of a mountain valley filled with fog. In fact, it is a relatively small set of wave-swept rocks and intertidal plants. At the time it was taken, Bullock was experiencing the flow and depth of change, its fullness and continuity, with new richness and power. Through experimentation with equipment and technique, he developed ways to symbolize these experiences in which the means, rather than being intrusive, became an integral part of the magic and meaning of the photograph.
—from Wynn Bullock 55, published by Phaidon Press.
Photo by Wynn Bullock
© Bullock Family Photography LLC 2002
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