|
|
| Features
Nina Rizzo Religion and nudes, the two oldest themes in art, are teh subjects of this photographer's vision Statement by the artist Martin Blume Photographic Novels Internationally renowned large format photographer from Germany By Al Weber Robert Hirsch Remembering & Forgetting Postmodernist photographer and columnist for Photovision, Robert shares his unique haptic vision Statement by the artist Deborah Sinai Full Empty Places Photographs of memories and hope Statement by the artist William Mortensen Wonderful technique, corny as hell By Judy Seigel The Road to Photokina Bob and Bing missed this one By Doug Busch The Metalchrome Process Technique by Nina Rizzo Longevity & Storage of B/W Materials By Neil Lipson |
 March/April 2001 |
|
| Columns
In My Opinion Why People Take Photographs Part IV By Robert Hirsch The Reluctant Critic A Users Guide to Postmodernism By Eve Ogden Schaub Book Reviews By Robert Hirsch Book Reviews By Dean Brierly Equipment Review Zone VI Ultralight Field Camera By Carl Maier Camera Views The f/6.3 Tessar By Paul Lewis Photo Hints By Stephen Peterson Product Review Bergger Papers - Classic Silver By Stephen Schaub |
Departments
From the Editor Snapshots Workshops, Exhibits & Events Index to Advertisers |
Cover:
Skull and Rosary, 1945, by Ruth Bernhard. Ruth Bernhard began her photographic career in 1928 as a commerical photographer in New York. In 1935, after meeting Edward Weston, she embarked on an illustrious career as a fine art photographer. For over seventy years Ms. Bernhard has shared her visions of pristine beauty and harmony with the world. See our in-depth interview by Donna Conrad beginning on page 12, for more on a fascinating life in photography.
. |
 |