| Features
6 Galen Rowell IN MEMORIAM Michael St. Peter 18 Jerry Uelsmann MAKER OF PHOTOGRAPHS Interview by Robert Hirsch 28 Connie Imboden BEAUTY AND GRACE 34 Mischa Gordin PARADISE NOT LOST Essay by Paul LaRosa 40 Sparking Your Fall Creativity TECHNIQUE Dennis Chin 44 The Colourful World of Black and White DARKROOM TECHNIQUE Tim Rudman 55 New Tricks for an Old Dog DARKROOM Steve Anchell |
 PHOTOVISION A R T & T E C H N I Q U E VOL. 3, NO.1 • SEPTEMBER/OCTOBER 2002 |
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| Columns
8 Book Reviews Brian K. Bergen-Aurand, Duane Poulcou 11 In Our Opinion WHEN SOMETHING IS NOTHING AND NOTHING IS SOMETHING Robert Hirsch and Greg Erf 14 The View From Here MAGNUM 911 Margaret Regan 50 Tools & Techniques PHOTO-BACKPACKS, GUIDES, DOF Stephen C. Peterson 52 Camera Views SEEING DOUBLE Paul Lewis 57 Lamb’s Quarters THE MGM GRAND Randall Lamb 58 From the Gallery Joette O’Connor |
Departments
From the Editor Reader's Forum Snapshots Index to Advertisers Exhibits, Events, & Workshops |
Cover:
The New Crowd #45 is part of a series created between 1997 and 2002. The image size is 25” x 38.” It is a silver-gelatin print, assembled in a traditional darkroom from thirty-eight different negatives under one enlarger using a masking technique developed and mastered over the years. As important as the technique, the most important ingredient of the image is a concept. The blending of talent to create a concept and the skill to deliver it are the two major building blocks of creating a convincing conceptual photograph.
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