| Features
17 The Tulmultuous Fiftiesfddd Robert Hirsch 22 Bruce Barnbaum TONE POEMS Donald R. Anderson 28 Charles Cramer TURNING TO PHOTOGRAPHY 34 LORNE RESNICK MY AFRICA 42 Go Wild at the Zoo TECHNIQUE Thomas Gillespie 46 The Colourful World of Black and White, Part 2 DARKROOM TECHNIQUE Tim Rudman |
 PHOTOVISION A R T & T E C H N I Q U E VOL. 3, NO.2 • NOVEMBER/DECEMBER 2002 |
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| Columns
8 Book Review Holiday Shorts Deana B. Fisher, Grant Freeman, Robert Hirsch, Stephen C. Peterson, Duane Poulcou 10 The View From Here STEIGLITZ AT THE NATIONAL GALLERY OF ART Margaret Regan 51 The Leica M7 WEEKEND ODYSSEY Steve Anchell 55 Lamb’s Quarters THE GATEWAY TO THE SKY Randall Lamb 56 From the Gallery WHAT YOU SEE Joette O’Connor 58 Tools & Techniques DARKROOM REMEDIES Stephen C. Peterson |
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From the Editor Reader's Forum Snapshots Index to Advertisers Exhibits, Events, & Workshops |
Cover:
Bare Trees, Red Leaves, Acadia, Maine, 1997.
Photograph © Charles Cramer, 2002.
This image was made in late Autumn near Acadia National Park in Maine. It was also late in the day, after sunset. A maple with a few remaining red leaves was facing into a clearing. The light was rather blue, so I used my color temperature meter to determine just how blue. A warming filter brought the gray tones mistaken for black-and-white - except for the saturated red leaves, and the green vegetation at the bottom. I have printed this image as a dye transfer, which gives slightly more brilliance due to the blacker blacks dye transfer affords.
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